ALL GUITAR CHORDS HOW TO

This is a common voicing on guitar that you can easily sub for a regular minor 7. Once again, youвЂ™ll notice that one of the voicings includes the 9 extension. Here are some of the most common voicings. Minor 7 Jazz Guitar VoicingsДЄgain, this doesnвЂ™t mean the notes have to be played in that order.

ALL GUITAR CHORDS HOW TO

To learn how to play more major 7 voicings on guitar, check out this post. This simply means that as long as you know where the root notes are on your guitar, you can play these chords in any key. One last thing to mention for these major 7 voicings and all of the voicings IвЂ™m about to show you is that they are вЂњmoveable.вЂќ So if you see a вЂњCmaj7вЂќ chord on a lead sheet, know that you can add any colors youвЂ™d like that fit a major chord quality. This adds more color to chord and jazz guitarists and pianists do this all of the time. Think of the 9 as the second scale tone of a major scale. This means that we are simply adding an вЂњextensionвЂќ to the chord. Notice as well that sometimes I have a 9 added. Major 7th chords are built: R-3rd-5th-7th.Д«ut the notes donвЂ™t have to go in that order, and thatвЂ™s often not realistic or practical for guitar voicings. LetвЂ™s start walking through basic voicings, quality by quality. This means that each chord is built: Root-3rd-5th-7th, with those notes being altered depending on the chord quality. Most jazz voicings are 7th chord voicings. With the right training and guidance you can defy the maze of the instrument that is the guitar, and start playing chord changes like you wouldnвЂ™t believe (IвЂ™ll talk about that more at the end of this post).Д«ut before we jump off the deep end, letвЂ™s get together some basic jazz guitar chord shapes.ДЄs a comping instrument, it is important for you to have some basic voicings in your repertoire. And while that may sound intimidating if you are used to looking up guitar tabs, itвЂ™s actually incredibly liberating. Jazz is mainly about learning language by ear. In fact, if you know just the basic shapes, you can play them anywhere on the neck and immediately start comping through jazz standards. Awesome!Д¬ontrary to what you may have heard, you donвЂ™t need to know a million shapes, chords, or scales on your guitar. Many famous musicians use them, and it makes sense if it helps you play/sing better.So youвЂ™re a guitarist and you want to start getting yourВ jazz chops together. On the groups that take advantage of all open chords (groups 1 & 2 in this article) you can use a capo to transpose the key of the song, and play those same chord shapes higher up the neck. I started with the most simple group of chords I can think of (the G, C, D and Em), and ended with a relatively more complex set of chords (the 2-5-1 progression). Since this group doesnвЂ™t utilize any open chords, you can also use them anywhere on the neck, just like the blues chords I showed above. It took me a while before I could play these chords with ease. If you are a total beginner, you may find these chords a little challenging. It uses scales and chords that arenвЂ™t typically used in rock or pop music. ItвЂ™s complex in a way that no other type of music is. I find it to be a fascinating form of music. In fact, I used to run an entirely different website about jazz guitar. YouвЂ™ll instantly notice the mellow sound they make. This one may be a bit more advanced than what youвЂ™re looking for, but I wanted to throw it in anyway, because I love the way these chords sound and hope you will too. The 2-5-1 chord progression is used heavily in jazz. Group 6 вЂ“ The 2-5-1 Chord Progression In C Major To learn more about blues, check out my article on blues guitar chords where I explain all of this in much greater detail. Or take them up four frets to the key of C#. As soon as you get used to playing these 3 chords together, take that group and play them all down 2 frets in the key of G. These chords donвЂ™t rely on open chord shapes, so you can move these chords all over the neck. This is sometimes referred to as the вЂњHendrix chord,вЂќ since Jimi Hendrix liked to use it. Often times the E9 is played with a sharp 9th or the E7#9. Or the A7 could be played as an A9, A13, etc. For instance, the D9 and E9, could also be played as D7 and E7. The chords I gave you here sound great together, but they could be substituted for other dominant chords as well. One think to keep in mind about the blues is that they make heavy use of dominant chords. One whole trip through these measures is often called a вЂњchorusвЂќ and is played over and over again in blues music.

All guitar chords